James Dean
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=== ''East of Eden'' === | === ''East of Eden'' === | ||
| − | + | <table><tr><td>In 1953, director [[Elia Kazan]] was looking for an actor to play the role of "Cal Trask" in screenwriter Paul Osborn's adaptation of [[John Steinbeck]]'s 1952 novel ''[[East of Eden (1955 film)|East of Eden]]''. The book dealt with the story of the Trask and Hamilton families over the course of three generations, focusing especially on the lives of the latter two generations in [[Salinas Valley]], California in the mid-1800s through the 1910s. However, the film chose to deal predominantly with the character of Cal Trask, who is essentially the rebel son of a pious and constantly disapproving father (played by [[Raymond Massey]]), and estranged mother, whom Cal discovers is a brothel-keeping madam ([[Jo Van Fleet]]). Elia Kazan said of Cal before casting, "I wanted a Brando for the role." Osborn suggested to Kazan that he consider Dean for the part. After introducing Dean to Steinbeck, and gaining his enthusiastic approval, Kazan set about putting the wheels in motion to cast the relatively unknown young actor in the role. On [[March 8]], [[1954]], Dean left New York City and headed for [[Los Angeles]] to begin shooting. Dean's performance in the film foreshadowed his role as Jim Stark in ''Rebel Without A Cause''. Both characters are rebel loners and misunderstood outcasts, desperately craving parental guidance from a father figure.</td><td>http://en.wikipedia.org/wiki/Image:James_Dean_in_East_of_Eden_trailer_2.jpg<br>Dean as Cal Trask in ''East of Eden''.</td></tr></table> | |
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| − | In 1953, director [[Elia Kazan]] was looking for an actor to play the role of "Cal Trask" in screenwriter Paul Osborn's adaptation of [[John Steinbeck]]'s 1952 novel ''[[East of Eden (1955 film)|East of Eden]]''. The book dealt with the story of the Trask and Hamilton families over the course of three generations, focusing especially on the lives of the latter two generations in [[Salinas Valley]], California in the mid-1800s through the 1910s. However, the film chose to deal predominantly with the character of Cal Trask, who is essentially the rebel son of a pious and constantly disapproving father (played by [[Raymond Massey]]), and estranged mother, whom Cal discovers is a brothel-keeping madam ([[Jo Van Fleet]]). Elia Kazan said of Cal before casting, "I wanted a Brando for the role." Osborn suggested to Kazan that he consider Dean for the part. After introducing Dean to Steinbeck, and gaining his enthusiastic approval, Kazan set about putting the wheels in motion to cast the relatively unknown young actor in the role. On [[March 8]], [[1954]], Dean left New York City and headed for [[Los Angeles]] to begin shooting. Dean's performance in the film foreshadowed his role as Jim Stark in ''Rebel Without A Cause''. Both characters are rebel loners and misunderstood outcasts, desperately craving parental guidance from a father figure. | + | |
Much of Dean's performance in the film is completely unscripted, such as his dance in the bean field and his curling up and pulling his arms inside of his shirt on top of the train during his ride home from meeting his mother. The most famous improvisation during the film was when Cal's father rejects his gift of $5,000 (which was in reparation for his father's business loss). Instead of running away from his father as the script called for, Dean instinctively turned to Massey and, crying, embraced him. This cut and Massey's shocked reaction were kept in the film by Kazan. | Much of Dean's performance in the film is completely unscripted, such as his dance in the bean field and his curling up and pulling his arms inside of his shirt on top of the train during his ride home from meeting his mother. The most famous improvisation during the film was when Cal's father rejects his gift of $5,000 (which was in reparation for his father's business loss). Instead of running away from his father as the script called for, Dean instinctively turned to Massey and, crying, embraced him. This cut and Massey's shocked reaction were kept in the film by Kazan. | ||
